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Sorolla and Diebenkorn on Balance

January 12, 2010 by davidslonim

What do these two paintings have in common?  One is a warm color harmony depiction of  figures pushing a boat at the beach, the other a monochromatic still life which is as much about paint texture as coffee cups.

Sorolla "Morning Sun, (Valencia Beach)"

Diebenkorn "Still Life with Letter" 1961

Both images balance a large mass closer to the center of the canvas with a smaller mass further from the center.     And in both cases the smaller mass repeats shapes and colors found in the larger mass, but differently (repeat with variation).

It’s the ol’ teeter totter trick!  The one we often see in books on composition fundamentals:

The Ol' Teeter Totter Trick

Seeing these two master works side-by-side is a great reminder to me that:

1)  The masters were masters of the fundamental principles of good design.  You never outgrow the basics.

2)  Style is not the point – good design is the point.

3)  Good abstract design is the basis of all truly great representational art.

I’m going to be looking for opportunities to walk in their footsteps and use this idea of balancing a large mass with a small one in my own work.

Posted in Creative process, Featured, Influences, Instruction | Tags: , , , | Leave a Comment »

0 Responses to Sorolla and Diebenkorn on Balance

  1. Matt says:

    I’m looking forward to seeing how you will explore balancing a smaller mass with the larger. How you used to to connect with the emotional connection of the theme.

    thx for posting this one, great examples.

  2. kris says:

    The balance also includes the color and value, does it not? I think that’s why the Diebenkorn works. (And where did you ever find this Diebenkorn? Cool…)

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